Live Nation CEO Confirms Advanced Ticketing Discussions With Spotify, Apple Music, and Amazon Music

Live Nation CEO Confirms Advanced Ticketing Discussions With Spotify, Apple Music, and Amazon Music

By Marcus Stevenson

February 21, 2025 at 08:27 PM

Live Nation's CEO Michael Rapino has confirmed discussions with major streaming platforms about incorporating concert pre-sale access into their premium offerings. The company is in talks with Spotify, Apple Music, and Amazon Music to potentially include exclusive ticketing benefits in their subscription tiers.

Man in black against bricks

Man in black against bricks

Pre-sale access is currently being considered for Spotify's upcoming Super-Premium tier, which will reportedly cost an additional $6 monthly and include high-quality audio and remix tools. However, Rapino emphasized that pre-sale tickets are a "very valuable asset" that comes with associated costs.

Key points from Rapino's statements:

  • Live Nation is open to streaming platform partnerships if the economics make sense
  • Pre-sale access scaling presents challenges, especially for high-demand artists like Beyoncé
  • The company already maintains various early access partnerships
  • Labels may not have sufficient exclusive content to make premium tiers attractive

Recent examples show the complexity of concert pre-sales. Beyoncé's Cowboy Carter Tour featured multiple pre-sale options, including BeyHive, Citi, Verizon Up, and regional credit card partnerships.

Spotify is already expanding its live event presence by:

  • Hosting exclusive performances like The Weeknd's "Billions Club" show
  • Creating concert specials
  • Recruiting staff to develop live stage activations
  • Experimenting with direct concert ticket sales

Concert crowd at Live Nation event

Concert crowd at Live Nation event

Alabama June Jam festival logo

Alabama June Jam festival logo

While streaming platforms are eager to add concert pre-sale access to their premium offerings, the financial viability and scalability of such partnerships remain uncertain. The success of these initiatives will depend on finding a sustainable model that benefits both streaming services and concert promoters.

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